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November 15 Serenade,the fourth of Song of Swans The Serenade by Franz Peter Schubert is apparently the most classical one in the history of serenade.In Song of Swans,which contains fourteen pieces of music,the musician take advantage of the poems written by Heinrich Henie,Seidel,Ludwig Rellstab--the name comes from the fable that a swan always sing songs filled with moving before its death,just as the last work by Schubert before the leave for another world.This serenade is the fourth of the Schwanengesang,describes a scene that a young man plays guitar in front of his dear girl's window,expresses his sincerely love by sweety song.
Ständchen Serenade Leise flehen meine Lieder My songs beckon softly through the night to you;
Durch die Nacht zu dir; Come to me beloved, below in the quiet grove! In den stillen Hain hernieder, The rustle of slender leaf tips moonlight; Liebchen, komm zu mir! Do not fear the evil spying of the betrayer, my dear Flüsternd schlanke Wipfel rauschen Do you hear the nightings call? Ah,they beckon to you, In des Mondes Licht; With the sweet sound of their singing they beckon to you for me. Des Verräters feindlich Lauschen They understand the heart's longing, know the pain of love, Fürchte, Holde, nicht. They calm each tender heart with their silver tones. Hörst die Nachtigallen schlagen? Let them also stir within your breast, beloved, hear me! Ach! sie flehen dich Trembling, I wait for you, Mit der Töne süßen Klagen Come, please me! Flehen sie für mich. Sie verstehn des Busens Sehnen, Kennen Liebesschmerz, Rühren mit den Silbertönen Jedes weiche Herz. Laß auch dir die Brust bewegen, Liebchen, höre mich! Bebend harr' ich dir entgegen! Komm, beglücke mich! August 28 2006我喜欢的超级女声 真正的歌唱者,应该具备一种舞台气质。当然不是所谓的金钱与黑幕，也不是单纯的容貌，唱功，情感，品质，修养，而是综合了后五者的在舞台上所散发出来的对观众的感染力与震慑力! July 19 我之于印象 最近在练习德彪西的月光,自然地想到了法国两位印象主义音乐的代表,德彪西和拉威尔．作为印象派音乐的创始人,德彪西常以大自然为题材,月光,水中倒影,夜曲三部之云,节日,云雾,具有浪漫主义特点,但却不同于浪漫主义音乐,独具超然于物,神秘,细腻,动态的感性效果．不同于德彪西，拉威尔大大发展了印象派音乐的表现里，在他的印象世界里，忽略了对事物外部的关注，而更多地关注事物的本质和浓郁的色彩，色彩缤纷，光彩夺目．
更喜欢早期以德彪西为代表印象主义，从钢琴音色的微观世界，细致表现云雾水性音响的灵动之感，表述转瞬即逝的感觉和微妙、飘浮不定的情绪，淡定自若，悠然自得．另者色彩过于厚重，不是我眼中印象主义所在．
听月光，节奏舒缓，弹奏起来却非易事，对音色的理解，和声搭配，轻重缓和，印象派应有的表现力，每一环节都是高高的台阶，等待超越．加之天公不作美，炎炎夏日里拥有如此平静，幽雅的心境，也是一种磨练． |
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